STACKER — Still fresh on people's minds, 2017'southward "The Disaster Artist" tells the story behind the making of "The Room," i of the most famous turkeys of all fourth dimension. Like Tim Burton's "Ed Forest," James Franco's film is also a attestation to the power of clueless filmmaking itself, and the ridiculous movies that emerge every bit a result.

These are the truthful rotten tomatoes and Gilt Raspberry Accolade winners, at least some of which have garnered shocking levels of attention or success in spite of—or most often because of—their sheer terribleness.

In honor of bad cinema, a listing of the most widely watched simply universally hated, movies of all time has been assembled. The list used IMDB for movies with over 25,000 user ratings, accumulation and weighting ratings from IMDB and Metacritic to create a proprietary 'Stacker Score' for each motion-picture show.

Using this score, here are the top l films, counting down from bad to worst. Ties were cleaved past Metascore and further ties were cleaved by votes. Without further delay, here are the most widely watched, just universally hated, movies of all time.

#50. Speed 2: Cruise Control (1997)

Twentieth Century Fox

– Director: Jan de Bont
– Stacker score: 32.3
– Metascore: 23
– IMDb user rating: iii.nine
– Runtime: 121 minutes

The absence of Keanu Reeves was greatly felt in this maligned sequel, which put the action at sea and relied on far too many cliches. Pair that with blatantly bad dialogue and yous end up with a pic that should have called it quits as soon equally Keanu did.

#49. My Boss'south Daughter (2003)

– Director: David Zucker
– Stacker score: 32.3
– Metascore: fifteen
– IMDb user rating: four.seven
– Runtime: 86 minutes

From the managing director of hits similar "Airplane!" and "The Naked Gun" came this one-act dud. While house sitting for his dominate, an awkward employee (Ashton Kutcher) encounters a series of escalating catastrophes. Critic Erin Podolsky called it "a stinker from start to endless finish."

#48. Catwoman (2004)

– Director: Pitof
– Stacker score: 31.eight
– Metascore: 27
– IMDb user rating: 3.iv
– Runtime: 104 minutes

Halle Berry's star power wasn't plenty to save this action flick from the doldrums of bad moviemaking. Thanks to inane dialogue and clunky directing, the naughty comic book character landed on the screen with a dull thud. Berry regrets nix and certainly not the paycheck.

#47. Piranha 3DD (2012)

– Manager: John Gulager
– Stacker score: 31.8
– Metascore: 24
– IMDb user rating: iii.vii
– Runtime: 83 minutes

Aiming for guilty pleasure indulgence mayhap, but this campy greenbacks grab can barely go on its story afloat. A follow-upwards to 2010's "Piranha 3D," it unleashes a horde of deadly piranhas upon unwitting waterpark guests. The title pretty much says it all.

#46. Superman IV: The Quest for Peace (1987)

Warner Bros.

– Director: Sidney J. Furie
– Stacker score: 31.8
– Metascore: 24
– IMDb user rating: 3.seven
– Runtime: xc minutes

Heart-anile adults who enjoyed this film as kids are in for quite the disappointment should they choose to revisit information technology. Loaded with bad special effects, it pits the titular human being of steel (Christopher Reeve) against a radioactive nemesis named Nuclear Man. Anyone not wearing Superman underwear has no excuse for sticking around until the end credits.

#45. Movie 43 (2013)

– Directors: Elizabeth Banks, Steven Brill, Steve Carr, Rusty Cundieff, James Duffy, Griffin Dunne, Peter Farrelly, Patrik Forsberg, Will Graham, James Gunn, Brett Ratner, Jonathan van Tulleken, Bob Odenkirk
– Stacker score: 31.8
– Metascore: eighteen
– IMDb user rating: four.3
– Runtime: 94 minutes

This unfunny anthology picture was crafted in the spirit of camp classics like "The Kentucky Fried Moving picture." Information technology was a star-studded matter that duly failed to live up to its ambitions, and thankfully didn't impale whatever careers. So bad was the motion-picture show that critic Richard Roeper famously referred to it as the "Citizen Kane of awful."

#44. Police Academy 6: City Under Siege (1989)

– Managing director: Peter Bonerz
– Stacker score: 31.eight
– Metascore: sixteen
– IMDb user rating: four.v
– Runtime: 84 minutes

The "Police Academy" franchise took a critical licking and kept on ticking throughout the 1980s and beyond. In this peculiarly bad installment, the world's most inept officers endeavor to stop a growing crime moving ridge. Continuing a trend of diminishing returns, the movie performed significantly worse at the box office than its immediate predecessor.

#43. Cats (2019)

Universal Pictures

– Director: Tom Hooper
– Stacker score: 31.iii
– Metascore: 32
– IMDb user rating: ii.viii
– Runtime: 110 minutes

Based on an accolade-winning musical, this ballsy misfire depicts a humanlike cat tribe and their bizarre annual tradition. Something called "digital fur technology" helped turn the actors into cats and prepare the stage for a disastrous marketing rollout. The only viewers who weren't disappointed were the ones who went in expecting awfulness…and even they had occasional complaints.

#42. The Last Airbender (2010)

Paramount Pictures

– Director: M. Nighttime Shyamalan
– Stacker score: 31.3
– Metascore: 20
– IMDb user rating: 4.0
– Runtime: 103 minutes

Shyamalan's "The Last Airbender" represented a departure for the director, who was best known for thrillers with twist endings. However it nonetheless brutal into many of the same traps equally his worst efforts to date. Among the gravest offenses was the fact that, in spite of an intriguing premise and visually enticing trailer, the film was utterly irksome.

#41. The Devil Within (2012)

– Director: William Brent Bell
– Stacker score: 31.3
– Metascore: 18
– IMDb user rating: iv.2
– Runtime: 83 minutes

Horror movies are and then commonly cheesy that they ofttimes get graded on a curve by both audiences and critics. Not so with "The Devil Inside," which was harshly panned across the board. The mockumentary-style film tells the story of a young adult female who undergoes a series of ritualistic exorcisms while looking for her mother.

#40. Kangaroo Jack (2003)

Warner Bros.

– Managing director: David McNally
– Stacker score: 31.3
– Metascore: 16
– IMDb user rating: 4.4
– Runtime: 89 minutes

Mega-producer Jerry Bruckheimer is behind some of the biggest box office smashes of all time, but that doesn't make him impervious to the occasional flop. For proof, expect no further than "Kangaroo Jack," in which two friends lose $50,000 in mob money to a calculator-blithe kangaroo. Co-ordinate to star Jerry O'Connell, the original script was much darker...and improve.

#39. Friday the 13th Role Eight: Jason Takes Manhattan (1989)

– Managing director: Rob Hedden
– Stacker score: 31.3
– Metascore: fourteen
– IMDb user rating: four.6
– Runtime: 100 minutes

Masked maniac Jason heads to Manhattan and wreaks poorly-aged havoc in this plodding installment. Shot on a reported budget of $v million, the film earned just over $14 million at the worldwide box office. And and then the tired franchise lived on…

#38. Halloween: Resurrection (2002)

– Manager: Rick Rosenthal
– Stacker score: thirty.seven
– Metascore: 19
– IMDb user rating: iv.0
– Runtime: 94 minutes

Franchises tend to lose steam over time, but that hardly explains the outright terribleness of this eighth "Halloween" installment. Here'due south the pitch: Michael Myers crashes a reality TV show prepare in his former home. Fifty-fifty a celebrity-studded cast—including scream queen Jamie Lee Curtis—couldn't salve this turkey from being expressionless on arrival.

#37. The True cat in the Lid (2003)

Universal Pictures

– Director: Bo Welch
– Stacker score: 30.vii
– Metascore: nineteen
– IMDb user rating: 4.0
– Runtime: 82 minutes

Shortly after Ron Howard's "How the Grinch Stole Christmas" came this obnoxious Dr. Seuss adaptation from Bo Welch. The sometime was box office aureate. The latter was a disquisitional flop with the Golden Raspberry Award to show for information technology. Lauded primarily for its crude content, over the height performances, and ADD-like pacing, it butchered the story'southward legacy in more than or less every single frame.

#36. Jason Goes to Hell: The Terminal Friday (1993)

– Managing director: Adam Marcus
– Stacker score: xxx.7
– Metascore: 17
– IMDb user rating: four.two
– Runtime: 87 minutes

Jason went to hell and then besides did audiences—albeit temporarily—for this mind-numbing entry. Upon his render from the netherworld, the masked killer heads dorsum to Crystal Lake for some skilful old-fashioned slicing and dicing. It promised to be the "Concluding Friday" and lived up to that promise for 8 whole years.

#35. Freddy Got Fingered (2001)

– Director: Tom Green
– Stacker score: 30.7
– Metascore: thirteen
– IMDb user rating: four.vi
– Runtime: 87 minutes

In his full-length feature debut, sometime MTV icon Tom Green takes his particular brand of shock humor to intolerable extremes. He stars as a struggling cartoonist named Gord Brody, who spreads a roughshod rumor about his ain father (Rip Torn). While not brusque on detractors, the film has gained something of a cult appreciation.

#34. Halloween: The Curse of Michael Myers (1995)

– Director: Joe Chappelle
– Stacker score: 30.two
– Metascore: 10
– IMDb user rating: four.8
– Runtime: 87 minutes

Michael Myers is dorsum and more contrived than always before in this convoluted mess of a horror movie. On the vivid side, information technology marks an early motion picture operation from actor Paul Rudd. He plays an older version of Tommy Doyle, the boy Laurie Strode babysat in the starting time moving-picture show.

#33. Paul Blart: Mall Cop ii (2015)

Sony Pictures Entertainment

– Director: Andy Fickman
– Stacker score: 29.7
– Metascore: 13
– IMDb user rating: 4.4
– Runtime: 94 minutes

The original "Paul Blart" was a surprise hit in spite of its questionable quality. Enter "Paul Blart: Mall Cop 2," which took the activity to Las Vegas and cranked upwardly the awfulness dial. Leave it to Hollywood to ruin an already fairly bad matter.

#32. Jack and Jill (2011)

– Managing director: Dennis Dugan
– Stacker score: 29.ii
– Metascore: 23
– IMDb user rating: iii.3
– Runtime: 91 minutes

No stranger to making terrible movies for lots of money, Adam Sandler delivered his worst one to date. Tackling dual roles, he plays both a heart-of-the-road family man and the human being's overbearing sister. Films don't get much more cloying than this one.

#31. Prom Dark (2008)

– Director: Nelson McCormick
– Stacker score: 29.2
– Metascore: 17
– IMDb user rating: 3.9
– Runtime: 88 minutes

A PG-13 remake of a (marginally) superior moving-picture show, 2008's "Prom Night" aimed squarely for the teen marketplace and sacrificed genuine thrills every bit a result. What could have been the terrifying tale of a teenage girl and her friends beingness stalked past a sadistic killer on prom night was instead another cliche-ridden slice of drivel churned out past the Hollywood mill.

#30. The Human Centipede Ii (Full Sequence) (2011)

Six Entertainment Visitor

– Director: Tom Half dozen
– Stacker score: 28.six
– Metascore: 17
– IMDb user rating: three.8
– Runtime: 91 minutes

While not "widely watched" in the traditional sense, this tasteless dreck landed on more eyeballs than it should have. Follow a depraved man as he catches the showtime "Human Centipede" moving picture and then tries to recreate its events. Manager Tom Six proves once again that he has no instinct for anything just revolting torture scenes.

#29. Volume of Shadows: Blair Witch 2 (2000)

– Managing director: Joe Berlinger
– Stacker score: 28.6
– Metascore: 15
– IMDb user rating: 4.0
– Runtime: 90 minutes

Every bit an early example of found footage horror, 1999's "The Blair Witch Project" terrified audiences and left a substantial impact on the manufacture as a whole. Released a yr after, "Book of Shadows: Blair Witch 2" was missing everything that made its predecessor so unique. It focuses on a group of tourists who watch the original moving-picture show and and so visit the same mythical woods, only to observe rote genre cliches.

#28. Dumb and Dumberer: When Harry Met Lloyd (2003)

– Director: Troy Miller
– Stacker score: 27.6
– Metascore: 19
– IMDb user rating: 3.4
– Runtime: 85 minutes

Non one to allow the absenteeism of two essential actors get in the manner, Hollywood churned out this universally despised prequel. It takes viewers back to high school, where immature Harry met young Lloyd. If there's anything dumber than dumberer, it's this film.

#27. In the Name of the Rex: A Dungeon Siege Tale (2007)

Twentieth Century Pull a fast one on

– Director: Uwe Boll
– Stacker score: 27.vi
– Metascore: 15
– IMDb user rating: 3.8
– Runtime: 127 minutes

Synonymous with bad filmmaking, Uwe Boll has earned himself a reputation equally being one of the globe's worst directors. You lot certainly won't find evidence to the contrary when watching this fantasy-based action movie. Starring Jason Statham as a human being who sets out to rescue his kidnapped wife and avenge his son's decease, it's as well painfully boring to even qualify as military camp.

#26. Vampires Suck (2010)

– Directors: Jason Friedberg, Aaron Seltzer
– Stacker score: 27.1
– Metascore: 18
– IMDb user rating: 3.4
– Runtime: 82 minutes

Spoofing vampire movies might have seemed like a fairly like shooting fish in a barrel task in 2010, but this paltry parody still managed to screw information technology upwardly. Ripping a plotline directly out of "Twilight," information technology brought whole new levels of meaning to the word "suck." Expect an countless serial of bad sight gags and obvious jokes, all of information technology delivered to diligently unfunny upshot.

#25. I Know Who Killed Me (2007)

– Director: Chris Sivertson
– Stacker score: 27.i
– Metascore: 16
– IMDb user rating: iii.6
– Runtime: 105 minutes

Lindsay Lohan's life and career were in freefall by the time she starred in this psychological thriller. She plays high school student Aubrey Fleming, who gets kidnapped one night and later returns under mysterious circumstances. Critic Steve Davis described it every bit "a gruesome whodunit that's missing more than a few brain cells."

#24. Dungeons & Dragons (2000)

– Director: Courtney Solomon
– Stacker score: 26.0
– Metascore: 14
– IMDb user rating: 3.6
– Runtime: 107 minutes

Awash with inexpensive special effects and bad dialogue, "Dungeons & Dragons" was a massively disappointing accommodation of the pop role playing game. Considering how the game itself requires intelligence, imagination, and talent, one must wonder why the movie was missing all of those things and more. This one was a truthful bomb that only looks worse with historic period.

#23. The Avengers (1998)

Warner Bros.

– Managing director: Jeremiah S. Chechik
– Stacker score: 26.0
– Metascore: 12
– IMDb user rating: iii.viii
– Runtime: 89 minutes

No, not that "Avengers." Based on a TV series of the same name, this one pits ii British agents (Uma Thurman and Ralph Fiennes) against a madman with plans for world domination. It managed to offend well-nigh anybody, meaning fans of the original Tv set show, critics, and general audiences alike. One reviewer would continue to say that information technology gave "other cinematic clunkers like 'Ishtar' and 'Howard the Duck' a skillful name."

#22. Mortal Kombat: Anything (1997)

– Director: John R. Leonetti
– Stacker score: 25
– Metascore: 11
– IMDb user rating: 3.7
– Runtime: 95 minutes

Past staying true to its source, 1995's "Mortal Kombat" was among the better video game-to-movie adaptations of its fourth dimension. The sequel, however, was a pure cash take hold of brimming with bad graphics and redundant action sequences. Extreme fighting never felt so monotonous as it does here, no affair how much cheesy electronic music is involved.

#21. BloodRayne (2005)

– Director: Uwe Boll
– Stacker score: 24.five
– Metascore: 18
– IMDb user rating: two.9
– Runtime: 95 minutes

Main of schlock Uwe Boll makes another appearance on the list with 2005'due south "BloodRayne." Adapted from a video game, it tells the story of a vampire who avenges the assault of her mother. In addition to beingness a painful watch, the film was also a box office disaster. Of course, that wasn't going to cease Boll from making a bunch of a direct-to-video follow-ups.

#xx. Police Academy: Mission to Moscow (1994)

– Managing director: Alan Metter
– Stacker score: 24.5
– Metascore: 11
– IMDb user rating: 3.6
– Runtime: 83 minutes

The seventh installment in the "Police University" series finds the squad going to Russian federation to accept on the local mob. Its slapstick hijinks were inadequate enough to end the franchise for good. Like a common cold Russian wintertime, "Mission to Moscow" was starkly unfunny.

#19. Scary Movie V (2013)

The Weinstein Company

– Directors: Malcolm D. Lee, David Zucker
– Stacker score: 24
– Metascore: 11
– IMDb user rating: iii.5
– Runtime: 86 minutes

The "Scary Movie" franchise reached an embarrassing nadir with this rough collage of cheap pop culture references. Parodying "Paranormal Activity" and other horror flicks, it conjures neither scares nor laughs. What is scary is that the picture earned only nether $fourscore million at the worldwide box office.

#18. The Room (2003)

– Director: Tommy Wiseau
– Stacker score: 24
– Metascore: 9
– IMDb user rating: 3.7
– Runtime: 99 minutes

Tommy Wiseau's famous folly is shrouded in mystery, such as the mystery of how information technology ever found an audience. The story involves a sex-packed beloved triangle between iii urban dwellers, or something like that. Bankrolled by Wiseau himself, it's reportedly grossed more than $30 meg to engagement.

#17. Bio-Dome (1996)

– Director: Jason Bloom
– Stacker score: 24
– Metascore: 1
– IMDb user rating: 4.5
– Runtime: 88 minutes

Pauly Shore fatigue ready in with a vengeance when this half-broiled stoner comedy arrived in theaters. Bars to a biodome for an entire year, two clueless friends (Shore and Stephen Baldwin) go ecology heroes. A veritable flop, it won Shore his 3rd Razzie Award.

#16. Jaws: The Revenge (1987)

Universal Pictures

– Director: Joseph Sargent
– Stacker score: 23.four
– Metascore: 15
– IMDb user rating: 3.0
– Runtime: 89 minutes

Only when yous thought it was rubber to go back into a movie theater, 1987's "Jaws: The Revenge" managed to lower the bar. Recipient of the prestigious 0% critic score on Rotten Tomatoes, it strikes an impressive balance between bad acting, writing, and directing. Everything most the movie said "rush job" and our favorite murderous bounding main creature hasn't reared his caput since.

#15. Rollerball (2002)

– Director: John McTiernan
– Stacker score: 23.4
– Metascore: fourteen
– IMDb user rating: 3.1
– Runtime: 98 minutes

In a twist of irony, this awful remake feels as though it were fabricated by the very corporate civilisation skewered past the 1975 original. Set in the ultra-futuristic yr of 2005, it follows various players of the world'due south most dangerous sport. Plagued past reshoots and other production issues, information technology opened to disappointing box function numbers and went downhill from there.

#14. The Emoji Movie (2017)

Columbia Pictures

– Director: Tony Leondis
– Stacker score: 23.4
– Metascore: 12
– IMDb user rating: 3.3
– Runtime: 86 minutes

As it turns out, movies featuring talking poop emojis don't make for the greatest of films. "The Emoji Movie" learned that the hard way, every bit evidenced by its ultra-depression IMDB score of 3.three. Co-ordinate to actor T.J. Miller, it was the fastest-produced animated film in history. Well, information technology showed.

#xiii. Gigli (2003)

– Director: Martin Brest
– Stacker score: 22.4
– Metascore: xviii
– IMDb user rating: 2.five
– Runtime: 121 minutes

Sometimes a picture show is so bad that the public seems to have it personally. So went "Gigli," the 2003 Martin Brest moving picture starring then-couple Ben Affleck and Jennifer Lopez. For the media and masses alike, information technology became open up season on the celebrity couple. Lopez would later merits that existence eviscerated past the printing over the motion picture prompted her to question whether she belonged in the business organisation at all.

#12. Left Backside (2014)

– Manager: Vic Armstrong
– Stacker score: 22.four
– Metascore: 12
– IMDb user rating: 3.1
– Runtime: 110 minutes

Who knew the Rapture could make for such lackluster movie house? Thanks to "Left Behind," nosotros all know at present. The 2014 motion-picture show stars Nicolas Cage as one amidst many people stuck on earth subsequently millions vanish. Sadly, it was pure apprentice 60 minutes on all fronts. We'll become ahead and presume this motion picture merely outright doesn't exist in sky.

#11. Son of the Mask (2005)

– Director: Lawrence Guterman
– Stacker score: 21.nine
– Metascore: 20
– IMDb user rating: ii.2
– Runtime: 94 minutes

They say like father, similar son, just "Son of the Mask" argues otherwise. The aggressively stupid sequel to 1995's "The Mask" sees Jamie Kennedy trying to fill Jim Carrey's shoes and failing miserably. No cult post-obit in the world can put this box office dud in the black.

#10. Epic Movie (2007)

Twentieth Century Fox

– Directors: Jason Friedberg, Aaron Seltzer
– Stacker score: 21.4
– Metascore: 17
– IMDb user rating: 2.4
– Runtime: 86 minutes

Like all the other parodies from Friedberg and Seltzer, "Epic Movie" earns its terrible reputation i lame joke at a time. It takes on the big franchises of its era and musters nary a laugh. Future historians might one twenty-four hour period see this abomination and wonder if our society was suffering from some sort of cultural dementia. Then they'll notice that "Epic Movie" actually made money and have their suspicions confirmed.

#nine. Engagement Picture show (2006)

– Directors: Aaron Seltzer, Jason Friedberg
– Stacker score: 20.iii
– Metascore: xi
– IMDb user rating: two.eight
– Runtime: 83 minutes

There was in one case a time when parodies were really funny. The 2000s was not that time. Take "Engagement Film" for case, which puts romantic comedies in its crosshairs and misses the target past a wide margin. Despite the poor reviews, it still took in nearly $fifty million at the domestic box office on an estimated upkeep of $20 million.

#8. Encounter the Spartans (2008)

– Directors: Jason Friedberg, Aaron Seltzer
– Stacker score: nineteen.3
– Metascore: 9
– IMDb user rating: 2.eight
– Runtime: 87 minutes

Poking fun at movies like "300" forth with other sword-and-sandal epics, "Meet the Spartans" is still one more sterile parody from Jason Friedberg and Aaron Seltzer. In addition to the obvious homages, it freely tosses in a healthy mix of pop civilisation references. Naturally, it made coin.

#7. House of the Dead (2003)

– Director: Uwe Boll
– Stacker score: eighteen.2
– Metascore: 15
– IMDb user rating: 2.0
– Runtime: 90 minutes

Rumor has information technology if you misbehave in picture show school, they lock you in a theater and play nothing but Uwe Boll movies. If such a affair is truthful, that's far scarier than annihilation you lot'll find in 2003's "Firm of the Expressionless." The picture show is supposed to be near zombies—instead it looks like information technology was fabricated by ane.

#six. Disaster Picture (2008)

– Directors: Jason Friedberg, Aaron Seltzer
– Stacker score: 17.7
– Metascore: 15
– IMDb user rating: one.ix
– Runtime: 87 minutes

The squad backside all the other insufferable 2000s parodies finally delivered a motion picture worthy of its name: "Disaster Movie." This shoddy attempt at movie theatre tries to mock disaster flicks, merely mostly ends up mocking itself. An appearance by Kim Kardashian just makes a bad thing that much worse.

#five. Battlefield Earth (2000)

Warner Bros.

– Director: Roger Christian
– Stacker score: 17.seven
– Metascore: nine
– IMDb user rating: ii.five
– Runtime: 118 minutes

John Travolta didn't do Scientology whatsoever favors when he produced and starred in 2000'southward ballsy failure, "Battleground Globe." The movie deals with mankind's enslavement to a futuristic alien race. Ultimately, information technology was the audition who felt tortured.

#4. Lone in the Dark (2005)

– Director: Uwe Boll
– Stacker score: 17.ii
– Metascore: 9
– IMDb user rating: 2.4
– Runtime: 96 minutes

Touted as a modern-twenty-four hour period Ed Wood, Uwe Boll served upwards all the inferior filmmaking, minus the unintentional laughs. While Boll's films might accept been labors of love, for viewers and critics they were just straight laborious. "Lonely in the Dark" ranks as Boll's worst film, which accordingly puts it among the worst of all fourth dimension.

#iii. Babe Geniuses (1999)

– Manager: Bob Clark
– Stacker score: 17.2
– Metascore: 6
– IMDb user rating: 2.7
– Runtime: 97 minutes

Babies might exist irresistible in real life, but not so much in this cloying one-act. As ii mad scientists (Kathleen Turner and Christopher Lloyd) try to fissure the code of "baby talk," viewer patience is likewise put to the test. The film holds a 2% critic score and 24% audience score on Rotten Tomatoes and somehow those scores seem high.

#2. Superbabies: Baby Geniuses 2 (2004)

– Director: Bob Clark
– Stacker score: fourteen.six
– Metascore: 9
– IMDb user rating: 1.9
– Runtime: 88 minutes

Continuing the adventures of super-intelligent babies who communicate to ane some other using "baby talk," this unnecessary sequel failed in virtually every possible regard. Widely-watched and universally-hated, it has no existent cult condition to speak of. May nosotros all acquire from its many grave mistakes.

#i. The Hottie & the Nottie (2008)

Regal Pictures

– Director: Tom Putnam
– Stacker score: thirteen.5
– Metascore: 7
– IMDb user rating: one.nine
– Runtime: 91 minutes

Paris Hilton plays the "hottie" in mention, who just agrees to go out with a guy if he can observe someone to date her unattractive friend (the "nottie"). The boldly shallow movie opened to an anemic $27,000 on a $9 million upkeep. There might be some justice in this world, later on all.